Photography, for me, is an act of observation and patience. Shooting on film allows me to slow down, to wait, to look carefully. Unlike the immediacy of digital work, the analog process invites uncertainty and surprise. This practice deeply nourishes my creative process, becoming a source of inspiration and a way to stimulate new ideas for my design projects. It helps me observe details, colors, and atmospheres that often evolve into visual concepts.
I sometimes like to experiment by merging photographs or overlapping them with illustrations, exploring the dialogue between images.
I sometimes like to experiment by merging photographs or overlapping them with illustrations, exploring the dialogue between images.
San Marco in Lamis, 2025 | Kodak GB 200-7 on Konica Z-up 110 super
New York City, 2024 | Kodak Gold Film 200 on Konica Z-up 110 super
Campagne del Sud, 2025 | Fomapan 400 BW on Konica AF-2000 + Ferrania Solaris FG Plus 200 (expired in 2005) on Nikon Zoom 300 AF
New York City, 2024 | Kodak Color Plus 200 on Konica AF-2000
Isole Tremiti, 2025 | Ferrania Solaris FG Plus 200 (expired in 2005) on Nikon Zoom 300 AF
